Bernard Buffet (Paris, 10 July 1928 – Tourtour, 4 October 1999) was a French painter of Expressionism and a member of the anti-abstract art group “L’homme Témoin” (the Witness-Man).
Buffet was born in Paris, France, and studied art there at the École Nationale Supérieure des Beaux-Arts (National School of the Fine Arts) and worked in the studio of the painter Eugène Narbonne. Among his classmates were Maurice Boitel and Louis Vuillermoz.
Sustained by the picture-dealer Maurice Garnier, Buffet produced religious pieces, landscapes, portraits and still-lifes. In 1946, he had his first painting shown, a self-portrait, at the Salon des Moins de Trente Ans at the Galerie Beaux-Arts. He had at least one major exhibition every year. Buffet illustrated “Les Chants de Maldoror” written by Comte de Lautréamont in 1952. In 1955, he was awarded the first prize by the magazine Connaissance des arts, which named the 10 best post-war artists. In 1958, at the age of 30, the first retrospective of his work was held at the Galerie Charpentier.
On 23 November 1973, the Bernard Buffet Museum was founded by Kiichiro Okano, in Surugadaira, Japan.
At the request of the French postal administration in 1978, he designed a stamp depicting the Institut et le Pont des Arts – on this occasion the Post Museum arranged a retrospective of his works.
Buffet created more than 8,000 paintings and many prints as well.
Theme exhibitions: 1952, La Passion du Christ; 1954, Horreur de la Guerre; 1958, Jeanne d’Arc; 1961, Portraits d’Annabel; 1962, La Chapelle de Château l’Arc; 1965, Les ecorches; 1967, La corrida; 1971, Les Folles; 1977, L’enfer de Dante; 1978, The French Revolution; 1989, Vingt mille lieues sous les mers; 1991, Souvenirs d’Italie; 1991, New York; 1992, Les Clowns Musiciens; 1992, Saint-Petersburg; 1993, L’Empire ou les plaisirs de la guerre; 1993, Promenade Provencale; 1995, Sept peches capitaux; 1996, Pekin; 1998, La maison; 1999, Mes Singes et 2000, La mort.